The Audix D2 is one of my first choices for toms and drum percussion microphones. It is specifically designed for recording toms. This mic is small and lightweight which makes it easy to place around the drum kit and has a nice low-mid boost that accentuates the tone of the drum as well as a good high end for getting the attack of percussion instruments.

It is a dynamic microphone with a hypercardioid pickup pattern, which means it is particularly good at rejecting off-axis sound and capturing sound from a specific direction. This makes it ideal for isolating individual drums within a drum set, as well as for reducing bleed from other instruments into the drum track.

One of the standout features of the Audix D2 is its frequency response, which is tailored to accentuate the mid to high frequencies. This gives it a crisp, clear sound that is perfect for capturing the sharp attack of drum hits. It also has a relatively fast transient response, which means it can accurately capture the initial transient of a drum hit, giving it a really punchy sound.

In terms of its construction, the Audix D2 is built like a tank. It has a durable metal housing and a rugged design that can withstand the rigors of the recording studio or live stage. It also has a shock-mounted capsule, which helps to reduce handling noise and vibration. This makes it ideal for use on a drum kit, where the microphones are likely to be subjected to some rough treatment.

One of the drawbacks of the Audix D2 is its sensitivity. It is not the most sensitive microphone on the market, so it may struggle to capture very quiet sounds or subtle nuances in a drum performance. It is also not particularly flat in its frequency response, so it may not be the best choice for recording more nuanced drum sounds that require a more neutral tonal balance.

Overall, the Audix D2 is a solid choice for recording drums. It has a rugged build, a tailored frequency response, and a fast transient response, which all contribute to its ability to capture the attack and punch of drum hits. It is not the most sensitive or neutral-sounding microphone, but for recording punchy, in-your-face drum sounds, it is a great choice.